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processing can be a slow(ish) process depending on the processing power of your computer.
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Topaz DeNoise AI is a great tool in my opinion when used carefully and not over-doing it! I'd stand corrected but it's recovering details for me if I use it " well", of at least puts the frame in a place where I can work in more detail easily.īuddy I stress my post processing skillsare not great, there are many more gifted here than I I've had time I'm stuck here, i've hammered it a bit ,I am very slow with things like this !!īut my very humble opinion it rocks bro, simple as.Ĭlick to expand.Hi Stu, I'm late to the party as usual, but here's my ideas: you aren't loosing detail as far as I can see. it's a really practical addition to my work flow that I'd recommend to anyone. But as above I make images of roe and hares and the blumming things are active when the light falls, so I regularly shoot at higher iso. "B" what I've been doing is extreme shooting at night, so it's pushing everything. Topaz denoise allows me to get most of the noise out of my subject that's the key thing for me. topaz is a good part of why they look like they do FF nice body accepting I'm more asking you to look because they are so extreme you can jugde better than my words there If I can get my head around it most can.īuddy i'm making images of foxes in my garden under continuous lights, there's a thread in the talk nature section. No I do not use the auto mainly AI clear, but with only a few controls and a constant way to keep updating, appraising adding in one slider at a time, it's iindispensiible to me already. broįor me someone not terribly gifted with post it's been a god send and something of a revelation. "black fox".has forgotton more about toggin than I'll ever know,seek his thoughts over mine. Jeff, I start else where in dpp but yes that's pretty much where I am at, lol it will never take me three minutes, but hey that's me I wish. I might well be confused at this time,but I'm going to have a dig on Steve's DNG and see what that givesĬheers for the speedy replies both wow that was quick I wondered about installing in PS as a plug in ,but Topaz say do the NR early in workflow and I'd also like to batch process, if possible, without conversion so it's seemed logical to mess around with DPP and a stand alone version ,for the mo. As I've just said to Steve me and post are a knife fight, so i'd like to keep as close as poss to my normal workflow if humanly possible,, Thanks for the reply tough. thing?ĭavey ACR is not a place I really want to go to. Does the DNG file essentially replace the TIFf stage Is it sort of the same. , i'm aware of them from PSCC normally wok RAW in DPP then convert to 16bit TIFF and then in PS to complete. This was the situation for DJI Mavic Pros for a year or so until Adobe finally profiled the camera.Steve I'm seriously brain dead with post I figure if you know I'm an idiot with it, it might just help you guys help me LR uses the camera profile embedded in the DNG by the manufacturer. DNG raws from cameras not appearing in the LR/Camera Raw supported-camera list will show Profile: Color. *Footnote: There's one exception to this simple rule.
#Topaz adjust ai tiff full
Types I and II show the full set of raw camera profiles and raw lens profiles, while type III shows Profile: Color and non-raw lens profiles only. Type I shows Mosaic Data: Yes in the Metadata > DNG panel, while types II and III show Mosaic Data: No. These result from applying Library > Convert Photo To DNG to non-raws (TIFFs, JPEGs, etc.). These are still "raw" in the sense that you can apply the full sets of raw camera profiles (e.g. These result from doing Photo > Photo Merge. Raw images that have been demosaiced into a linear raw representation. These result from applying Library > Convert Photo To DNG to a proprietary raw file. Raw images with un-demosaiced color filter array sensor data. There appear to be three different kinds of DNGs from LR's perspective, and they are hard to tell apart (and they don't have formally blessed names from Adobe, as far as I have found so far): I was always vaguely confused about the flavors of DNGs, so I poked around. Quick answer: If Develop's Profile shows Adobe Color, it contains raw data if it shows Color, it contains TIFF-like RGB data. What am I looking at here? Does the dng contain the raw data, or as I suspect am I working with "tiff" like data?" "I can then do further editing in Lightroom, however the regular develop profiles are not available to utilize.